Tycho is the musical manifestation of San Francisco based artist Scott Hansen. Scott creates beautiful, atmospheric instrumental landscapes that remind you of looking at a sunrise as you roll down the highway with your hand out the window feeling the air rushing by.
Scott was also known as ISO50, under that name he developed as a visual artist and eventually began creating music that represents his visual style. Scott has moved on from ISO50 into Tycho being a full time gig, where he is not only the musician but he creates all of the album artwork and even the posters for the shows.
Tycho has evolved from a solo project with a sampled style of music compared to Boards of Canada or DJ Shadow into something that feels like an ambient instrumental version of M83 or El Ten Eleven. The evolution from solo artist to a full live band seemed to be an organic process much like his visual work. Check out the track “See” from Tycho’s most recent LP titled Awake, released by Ghostly International.
Tycho with Beacon
March 29, 2015
Door: 7pm, Show: 8pm
Infected Mushroom are returning to Indy with a brand new live production. This time instead of crazy mind blowing visuals from spheres, it’s a fully functional animatromic stage. “Infected Mushroom’s production is the first of its type. Imagine; a flame throwing, steam blasting, eye popping, self standing mechanical “Steampunk” themed mushroom.”
“This mechanical being is more than a stage production, but an art installation with a darkened soul. Infected Mushroom will give life to a new type of live element sure to satisfy the thirst of this ever-changing and rapidly evolving hunger the masses desire.” Batteries included!
“To pioneer your own sub genre of electronic music in the music industry today is no simple task, it is essentially equivalent to Chuck Berry inventing Rock music in 1955 or Massive Attack effectively originating Trip Hop in 1983…
Electronic music, mega-revolutionaries Infected Mushroom are renowned for being the sonic innovators of crafting hypnotic arrangements, complex layered melodies and synthetic rhythms known as “Psychedelic Trance,” leaving behind all their dying “Trance” cousins in the mainstream…
Twice ranked as the world’s “10 Best DJ’s” by the Bible of the Scene (U.K.’s DJ Magazine), the Israel-bred, L.A. based duo Amit “Duvdev” Duvdevani and Erez Eisen have established their self- invented genre among the highest in the scene.
One could easily scour pages of the Internet in vain to find the epic level of music history defining the Infected Mushroom “kingdom.” Their most notable achievements include: 1999 breakthrough debut album, The Gathering, which gained immediate attention on club dance floors and in the hands of Goa/Psy-Trance DJ’s…
Fast >> 2007’s their critically acclaimed and highest-grossing album Vicious Delicious, catapulted the duo onto new levels. The success of that album was met with high anticipation for another which was dropped in 2009 with the The Legend of the Black Shawrama. The album included noteworthy hit track, Smashing the Opponent, for featuring guest vocals by legendary Korn lead singer, Jonathan Davis. By no coincidence on the title, did Smashing the Opponent album-hit #8 on the Billboard charts.
If that’s not impressive enough—there is the band’s average 120 live performances a year including, repeat, sold-out shows from the Ultra Fest in Miami to the Virgin Festival in Baltimore, from Mexico’s OMIX to Cali’s Coachella, to Brazil’s Ipanema Beach, and from Melbourne’s Metro Club to the 2009 and 2011 Burningman Festival in Black Rock City, Nevada. Not to mention collaborations with big Rock legends; Ray Manzarek (The Doors), Perry Farrell (Jane’s addiction) and then their insane amount (roughly 14,000,000) hits on You Tube simply cannot go without mention…
The best is always yet to come with Erez and Duvdev; in early 2012 they released the Army of Mushrooms, their most multi- faceted electronic album delivery to date since 2009’s “Legend of the Black Shawarma”.
Army of Mushroom’s doesn’t hold back for a second, doing what the guys “do best”−invent, experiment, create, re-arrange, flip-up, bend-over, twist-sideways while staying true to their electronic roots diced with their own and of course, always trippy and psychedelic.” – infected_mushroom.com
Thursday, March 12th
$25 Day Of
On Sale – Monday, Feb 9th – 5pm
Get tickets: http://ticketf.ly/1zP9wHG
Here is how you do it!
1. In the comment section below, tell us is in, why you deserve to win. Make it good people. 100 words or less!
2. Post this event to your Facebook Page. Be sure to tag IndyMojo.com in your post so we see it.
It’s THAT easy!
Winners will be announced Thursday Morning, February 12th!
Dust off your red shells, polish up those bananas, and stretch those thumbs. This Sunday IndyMojo is hosting a Mario Kart 64 tournament at the Moon Dog Tavern. This is a fund-raising event for the Special Olympics’ Polar Plunge, all money raised will be added to the IndyMojo team’s total donations. Doors open at noon on Sunday, entry fee for racers is $7. The actual tournament will start at 1 pm.
The tournament will consist of two brackets with the winner of each bracket going head to head in a championship that will be sure to shake the hollowed halls of the Rainbow Road. Players will face off for a chance to win a number of prizes including; gear from the Magic Bus, Tickets courtesy of the Vogue, and more!
Fans are welcome to come cheer the karters on free of charge, but of course donations are welcome to support the cause. The games will be projected throughout the tavern for all to view and enjoy. There will also be music provide by G-9 Collective DJ’s. So make sure you stretch your thumbs, practice your timing on the starting block, and be ready for lots of laughs and possibly a bit of smack talk.
What: Mario Kart 64 Tournament
When: Sunday March 1st from Noon-5pm
Where: Moon Dog Tavern, 4825 E 96th St.
Why: Support the IndyMojo Polar Plunge team as they raise money for the Special Olympics
Next Thursday at 8pm, Datsik’s Ninja Nation Tour will make its Indianapolis stop at the Egyptian Room at the Old National Centre. But be warned: on top of a mesmerizing light show complete with a live LJ and custom Vortex 3.0 visuals, the Ninja Nation Tour also promises to pack a heavy punch with 100,000 watts of PK sound.
Maybe you’ve seen his name at the top of the Beatport charts, on collaborations with some of EDM’s hottest names (like Excision and Diplo) and all over festival lineups (Spring Awakening, EDC Vegas and Tomorrowworld last summer alone). Dubstep fans around the world can’t get enough of Canadian-born bass-fiend Troy Beetles, better known by his DJ/producer name, Datsik. The Ninja Nation Tour falls after the November release of his Down 4 My Ninjas EP so he’s hoping for a big turn out from his “Ninja Squad” fan base. Take a listen to When They Drop, produced by Datsik & Twine and released on Datsik’s Down 4 My Ninjas EP:
On top of staying busy as a producer and touring as a DJ, Datsik makes time to run his own label. Firepower Records, launched in 2012, has released music from tens of dubstep, bass and heavy dance artists including Terravita and Bear Grillz. Check out the label’s most recent release, One More Night from Proper Villains & Willy Joy featuring Metric Man here:
Despite the 26-year-old’s young age, the last five years of his career have solidified his status as a leading contributor to dubstep and bass music. The list of today’s top acts Datsik hasn’t worked with is dwindling in numbers and seals the legitimacy of the forward-thinking, hardworking artist.
Check out IndyMojo’s video recap of Datsik’s last visit to Indianapolis below:
Datsik @ Old National Centre
Thursday, Feb 19 @ 8 PM
By Alec Steinmetz
Photos from Datsik Facebook page
As we approach the 50th anniversary of the formation of The Grateful Dead, many deadheads and music lovers alike have been coming together to remember their favorite jam band of all time. Having booked the “Fare The Well” shows in Chicago, the fear of possibly never hearing those sweet tunes in person again has become ever more of a reality for many.
The connection between music and the human soul is a story as old as time itself. The universal connection is something that binds people and their relationships with each other, so to say that music influences our lives is an understatement.
Though they are considered a cover band, Dark Star Orchestra (DSO) looks to bend the mold, change the circumstances and be more than just a cover band. Many loyal followers of the music have tried, from day one, to pursue their dreams of covering their favorite band of all time. However none are as acclaimed or accredited as Dark Star Orchestra.
DSO is known for performing shows based on the original set lists of actual Grateful Dead concerts, citing the date and venue at the end of their performance. For steadfast fans, this is a fun opportunity to discover a new favorite Grateful Dead show they might not have known about.
Dark Star Orchestra doesn’t just play the specific set list though; they cater each and every show specifically to the era in which they are recreating. From changing their arrangement to musical structure and even instruments, accuracy is a highly-regarded element of every performance.
DSO is also known for the fact that five members of the original Grateful Dead have occasionally sat in on their shows throughout their nearly 15 years and over 2,200 shows on the road. Band members include Rob Eaton on rhythm guitar and vocals, Dino English and Rob Koritz on drums, Skip Vangelas on bass, Lisa Mackey on vocals, Rob Barraco on keyboards and vocals, and Jeff Mattson on lead guitar.
Thursday February 12, 8 PM
Old National Center
Can’t make it to DSO and not sure if you’ll get the farewell tour tickets you mailed in for? We can’t recommend The Dark Star Jubilee enough. Named Favorite Longstanding Festival in our 2014 Year in Review, The Dark Star Jubilee is your best bet for a family-friendly Midwestern festival free from digitally produced music.
This week’s Altered Thurzday can easily be considered the biggest show in it’s history. One of the pioneers of the Dubstep sound is coming from here from the land where Cockney Thugs roam. That’s right! Caspa has decided embark on a special journey through smaller venues in the states to give his fans a more intimate and personal experience. Here is how he describes it:
"Having released and performed in almost every corner of the globe, Caspa is identified as an innovator in all areas of bass music, from producing and DJing to sourcing new talent for his own Dub Police and Sub Soldiers imprint. We all know music should be about vibes and feelings, not glitz and glamour - which can be easily forgotten and usually is. Its now time to strip away the hype and facade and to remind us what its really about. Picture a dark, underground space, an intimate gathering in the company of the most dedicated bass-heads. The fans who truly love and crave the simplicity of an original underground, London rave - dimly lit by a single red light and free from any over-the-top gimmicks. All that matters is a huge sound system, Caspa and 500 like-minded people engulfed by the sound and the vibe. This is something that can only be generated by a true innovator. This is 'The 500 Tour'"
Sounds a bit like a place some of us know very well, am I right? Caspa decided not to rely on the venue for sound (probably a wise idea), but instead bring his own and PK Sound at that! The Mousetrap has never seen such a system before and I pray for it’s foundation.
Caspa AKA Gary McCann is a dubstep producer from west London. McCann’s creative involvement in music began after a promising basketball career was cut short by a shoulder injury. Growing up, McCann cites Jungle and Hip Hop as his main influences. He received his first public attention when, his first track, Bassbins recorded under the pseudonym Quiet Storm, was picked up by BBC Radio 1Xtra’s DJ Da Flex.
McCann has started his own label, which focuses on Dubstep and Grime artists. Storming Productions was founded in 2004 and then he joined Stingray Records in 2006. Around this time, he also began his own radio show on RinseFM. McCann also created an additional label Dub Police to focus specifically on Dubstep. Dub Police is composed of Rusko, L-Wiz, N-Type, The Others and more.
He has performed at a number of high-profile UK music festivals, including Glastonbury and Global Gathering and his release Back for the First Time has received widespread public attention, being playlisted on BBC Radio 1. He has also performed at many other notable festivals around the world such as Exit Festival in Serbia, Stereosonic in Australia and Lollapalooza in the U.S. Despite his widespread success, McCann still finds time to perform every two months at the renowned Fabric in his hometown of London.
His debut album Everybody’s Talking, Nobody’s Listening (album) was released on 4 May 2009 on Caspa’s own label Sub Soldiers/Fabric Records and included an appearance from legendary reggae figure Sir David ‘Ram Jam’ Rodigan.
In August 2012, it was announced that Caspa and various notable electronic music producers would be featured on the Halo 4 remix album and “War” was featured in the trailer for Kick-Ass 2. In 2014, McCann moved to Denver, Colorado. He cites Denver’s music culture and friendly people as influential factors, although he is unsure whether the move will be permanent. – Wikipedia
Among the ever-expanding landscape of Dubstep, Alex Crawford (known musically as The Others) has crafted his own distinct style and shaped up what promises to be a successful 2014. Having released his debut artist album and conquered music venues worldwide, the future will see him focus on producing his niche blend of classic Dubstep creation.
During 2013 The Others had a range of successes, reaching from one of the biggest Dubstep singles of the year to delving into a deeper, darker style of production, gaining support from original scene tastemakers such as Caspa, Youngsta and Skream, giving a huge nod to the roots of Dubstep. Having released his debut artist album at the very end of 2012 with features from Emalkay, Joker, Stamina MC, Breakage, Lonette Charles and Geoff Smith, the following year was dedicated to the promotion of Red Planet’s impressive singles. Standout single ‘Fallout’ with Emalkay gained recognition from all corners of electronic music, with continued support from Radio stations such as Radio 1, Kiss FM, XFM, a nomination for a Bass Music Award and a feature from key Dubstep YouTube channel UKF. His inclusion in all sections of Dub Police’s Past Present Future compilation cemented his reputation as a bass music artist with longevity.
Dubstep fans will of course recognise The Others’ early production from Caspa and Rusko’s seminal FabricLive 37 mix. The special VIP mix of Africa became both a Dubstep anthem and a calling card for Alex’s skilful production. The Others (as a production duo) were soon snapped up by Caspa for his record label Dub Police, where Alex Crawford remains as an artist today (retaining the moniker The Others), racking up an incredible 23 releases – making him the most released and longest-standing artist on the entire label. Releases such as the Gravity EP and First Flight EP on Dub Police ensured he had earned his place among Dubstep’s elite. The Others has also found success with other respectable bass music labels including Sub Soldiers, Tempa, Ringo, Boka and Wheel & Deal records.
As well as a fantastic track record in producing, The Others is a more than accomplished DJ, being invited to play at some of the most prestigious venues worldwide. He has been a constant fixture at the Dub Police fabric residency in his hometown of London, and played key venues in the city like Pacha, Plastic People (FWD), Ministry of Sound and Matter. The Others has been invited to DJ at parties across the globe, including an impressive six US tours, both solo and group expeditions with label mates from Dub Police. He has performed at prestigious parties and venues such as Smog at The House of Blues in LA, South by Southwest in Texas, World Music Conference Miami and Beta in Denver for Sub.mission. Australasia was also graced with his musical skill during a Ministry of Sound tour of Australia and New Zealand in 2011, and Europe has been a staple destination with performances at Tomorrowland Festival, Outlook Festival, Paradiso in Amsterdam, Trix in Antwerp, The Villa in Oslo, Rex in Paris, and more. He was also part of the first ever Dubstep night in Ibiza, at Eden.
Fuelled by his constant creative output, The Others has received continued radio support from stations such as BBC Radio 1, XFM, Rinse FM and Kiss FM. He was an original member of the BBC 1xtra Daily Dose of Dubstep artists. All of these stations have invited Alex to play music on air, with Mistajam proclaiming his track Gravity and his First Flight EP ‘Jam Hot’.
His discography also hosts a very impressive catalogue of remixes including Above & Beyond, Breakage (with Newham Generals & David Rodigan), Caspa, Emalkay, Maroon 5 (with Wiz Khalifa), Reflekt, S.P.Y and Youngman & Skream.
2014 will see The Others continue to develop his musical creativity and delve into the deeper sound of Dubstep. He will remain focused on his DJ performances and spend another year travelling the globe, sharing his sound, and this will also be the year of Alex working alongside the label as an A&R to sign the next generation of artists. He is the next in line to mix Dub Police’s prestigious MyStyle compilation series. Add this to a host of exciting projects and planned collaborations, and 2014 will mean massive things to come for The Others.
Local And Regional Support From:
– “Frost Stage” –
$15 at the door
LIMITED $10 Pre-sales through 12/9
5565 N. Keystone Ave
Bass trio Terravita is bringing their Fuel To The Fire Tour to Indy this week. The group are not strangers to the city. They first came here to destroy Mojostock 2013, then came their performance at Old National that was more than explosive. This time, IndyMojo is bringing these guys to the Mousetrap and we are introducing our new 3D Projection Mapping. Whether you have witnessed Terravita’s dynamite performance already or have no idea what you are in for…Be there!
“Dominating the bass music scene for nearly a decade, Terravita has run the gamut when it comes to crowd-smashing, mind-melting electronic music. From the days of Drum & Bass to the era of contemporary Dubstep, Trap and everything in-between, Terravita know no limits when it comes to crafting the most staggering, bone-jarring bangers around. From their industry-leading sound-design to the razor-honed precision of their drums, Terravita are undeniable experts at their craft, and will inevitably remain so for many years to come.” – EDM.com
Terravita was catapulted into the public eye with the release of “Up In The Club”. The track that helped define the drumstep genre. Since then they have released over 12 top ten releases on the Beatport dubstep and drum & bass charts. The band has remixed Steve Aoki, Lil Jon, Chiddy Bang, Yelawolf, Datsik, Zedd & Bassnectar. Their last EP on Firepower Records “the Power of Fire” charted in the overall top five on Beatport for several weeks and included the hits “Well Oiled Machine” and “This Time Its Personal”. Terravita has toured with Steve Aoki, Datsik & Flux Pavilion and has played festivals like Electric Daisy Carnival (Vegas, Chicago, Orlando), I Love This City and Shambhala.
Earlier this year IndyMojo got the chance to talk to Terravita via phone. Click HERE to read that Interview.
Mousetrap Bar & Grille
This past Tuesday, Mexican acoustic guitar duo Rodrigo Y Gabriela took the stage of the Egyptian Room at the Old National Center. Performing in Indy for their first time in four years, Rodrigo Y Gabriela is currently on tour in support of their newest album “9 Dead Alive.” The sound of Rodrigo Y Gabriela is one that is very difficult to describe, with expertly mixed elements of rock, flamenco and jazz. With just the two of them on stage, they blend the sounds of their individual guitars in ways that sound like a full band is present.
Rodrigo Sanchez and Gabriela Quintero grew up together in Mexico where, meeting as teenagers, they began a journey of playing music together that spans over 25 years. Their roots can be seen in covers of Metallica and Led Zeppelin, music that drew them in as kids. They mastered covers to play to tourists, but eventually decided it was time to move. They headed to Dublin, Ireland and as street performers they caught the attention of Damien Rice who helped the duo get a manager and begin booking shows.
What is most notably important about Rodrigo Y Gabriela is their unique style of playing music. With roots in megadeath and rock, they wanted to create a sound that felt like a full band was performing, while keeping their talent to just the two of them.
What stands out as most unique and expressive is the way that Gabriela plays her guitar, not as just a string instrument but also as a percussion instrument. Extremely tight and fast hand movements allow her to simultaneously strum the guitar while plucking at its wooden walls with her fingers, generating a popping sound like a drum. This, when paired with Rodrigo’s intricate guitar playing makes them sound much fuller, richer in sound.
When Rodrigo Y Gabriela took the stage at the Egyptian Room, everybody’s faces lit up. They were last in town about four years ago to play the Vogue and, from what I hear, that show was amazing, but nothing compares to the acoustics at the Egyptian Room. Their sound was so full and unyielding for just two performers.
Scanning the crowd, I noticed that hardly anybody was dancing, but rather standing with their mouth open in complete awe at the skill of these two performers. At several points throughout the show they stopped to talk to the audience, telling us about the tour they have been on and discussing the music they were playing. At the end Gabriela joked about how she has never had time to record lessons on her unique style of playing, something she wished she had the time to do. That being said, she then gave us all a quick demo on one of her signature moves.
At the end of the show, the overall feel from the crowd was much different from any other show I have been too. People often exit with some kind of discontent because the band was off or they didn’t play a favorite song or they played too short of a set. This time, there was nothing but smiles for miles from every fan in attendance, and with good cause.
Though Rodrigo Y Gabriela may not have as big of a US following as they should, their sound is never underappreciated. Considering the duo can fill 50,000 person-capacity soccer stadiums in Mexico, the Wembley arena in London and the Hollywood Bowl in LA, getting the chance to be five rows from the stage in our very own Egyptian Room was a very humbling experience. I certainly hope to catch them again in the near future.
We’re less than a week shy from the festival and, man, did it creep up on us. Fall semester has begun, but the leaves are barely changing which means festy season has not reached its conclusion. The weather has been nothing short of perfect lately, and after peeking into next week’s forecast, temperature forecasts for Pataskala, home of Resonance Festival, are calling for averages in the mid 70’s. Grab a few extra pashminas for the early evening and be sure to layer up later on. Of course, chilly evenings are a solid excuse for mega cuddle puddles. Who doesn’t like cuddle puddles? So let’s talk about this line-up for a second. Two nights of Papadosio and freshly squeezed funk for three days straight?! A dose of Nahko, some Random Rab, and two nights with an Ultraviolet Hippopotamus?! Forecast also shows that there will be Green skies and bluegrass, and the awesome just keeps on flowing.
Full artist line-up here: http://resonancemusicfest.com/artists
Here’s a few sneak peeks at some of the artists taking the stage next weekend.
Nahko and Medicine for the People Nahko, an Oregon-native born a mix of Apache, Puerto Rican, and Filipino cultures and adopted into an American family, suffered an identity crisis from an early age. When he took up the piano at age six, the unifying power of music entered his life and brought him harmony. Armed with his newfound talent, he set out to bridge the cultural gaps dividing his own psyche. He began producing a public, musical journal of his journey toward personal, spiritual, and communal healing, and thus Medicine for the People was born. Recently, Nahko discussed his successes, his philosophies, his music, and his life with Huffington Post, who called Nahko’s music “beautiful and stirring,” comparing him to Bob Marley and proclaiming him a “musical prophet.”
Greensky Bluegrass If you’re familiar with bluegrass music, then you’re tuned in to some of what Greensky Bluegrass does. They’re also known to throw a great party, rock n roll, and (if the critics are to be believed) they have great songs. They are unquestionably a team of friends that traverse the country making music they enjoy. What makes Greensky different than Bluegrass? Poignant rural ballads about real people? Dobro tone that Jerry (Douglas or Garcia) would love? Distortion Pedals? Grit and attitude from a whiskey soaked card game? Indeed, but that’s just the tip of the iceberg.
This quintet from Michigan has been staying up late at all the coolest festivals and stopping to play your favorite clubs and theaters across America for 11 years now. Nearly 175 shows per year has prepared them for the rigorous task of continuity. Greensky Bluegrass isn’t slowing down. “They’re coming to your town to help you party down.” Yeah. Really. Like you never thought possible.
Papadosio The information age has a sound. Revolutionary technology meets a evolutionary message in Papadosio. Melding progressive rock with psychedelia, folk with electronica, and dance music with jam, the quintet has amassed a dedicated following of thousands of likeminded individuals sowing the seeds of unity and spreading the sounds of exaltation. Singer-songwriter Anthony Thogmartin’s visionary lyrics,eclectic production, and signature guitar work are anchored by the rock solid battery of drummer Mike Healy and bassist Rob McConnell. The quintet is rounded out by brothers Billy and Sam Brouse, whose virtuosic two-headed keyboard, synth, and programming attack give the band its unmistakable complexity and intensity.
It doesn’t stop there. Resonance is offering a pretty sweet VIP deal that includes private sets, t-shirt, limited edition poster, showers, VIP only bathrooms, free firewood, Resonance 2014 limited edition pin and more!
“Did you say firewood?”
Yes, yes I did. Ground fires are approved for everyone at the festival as long as they are well maintained!!
Resonance Music Festival: A gathering of like minded, motivated, music loving individuals.
DATE: October 2 – October 4
LOCATION: Frontier Ranch in Pataskala, Ohio.
Tickets: $110 GA, $200 VIP, and $80 Saturday passes.
Taylor Scott and Paul Ollinger, known as Mantis, are a relentless duo. Having begun their musical careers with metal deathcore, the transition to heavy bass music was not so much a step down in intensity, but a slide into a world with spectacular tools to mix dense layers of music in new ways, and deploy it with force. Mantis was formed in early 2011 to test the boundaries of metal-influenced production, and plunge the result into a wash of haunting atmospheres. Mantis wants to provide “music to make you feel like you’re somewhere else, and you’ve never been more stoked to be there.”
With that target in sight, 2011 was a smashing first year; the momentum began in Atlanta, and overflowed with releases on labels such as Play Me, Heavy Artillery, BroTown Records, Abducted Records. A standard was set with 2011’s “All Worlds”, their first EP, breaking the top 10 on Beatport’s Dubstep releases, and held with 2012’s “Futures” scoring #5 on Beatport’s overall chart. The support of tastemakers such as Liquid Stranger, Downlink, Figure, Cyberoptics, Diesel, Genetix, Persist, Sluggo, points to an accomplishment of musical influence on an international scale, and the potential for much more.
A history in Atlanta’s metal scene, playing in acts such as WLTP and Attila, provides Mantis’ cornerstone of fierce stage skills. Having become known across the USA for throwing down an aggressive live show with unmatched energy and only the heaviest bass music, Mantis’ reputation stands as being one of the gnarliest new production teams in the scene. With packed crowds at hand, and Beatport charts at their feet, only one goal remains- to raise the awareness of metal-influenced bass music… oh, and world domination.
Exploding into the bass music scene, Collin McKay has proven that age is nothing more than a number. Releasing hard-hitting tracks under his alter ego ‘Rekoil’, the 19-year-old producer is already a force to be reckoned with. Immediately garnering attention from bass music heavy weights, Rekoil quickly found his way onto Datsik’s Firepower Records and joined him on the 2013 Reloaded Tour.
Shaping up to be a huge year, 2014 has already seen complete destruction by the Baltimore native. After several earth-shattering WMC performances, Rekoil dominated Hollywood’s legendary Avalon during 12th Planet’s SMOG Takeover. Coming up next, chaos is to be expected as the hard-hitting young producer joins Getter’s bass-heavy Gnartillery tour. With his fresh face and filthy tracks, Rekoil will continue to tear up the scene, securing his future as a bass music power player.
Local Support From: